Kamis, 27 Januari 2011

Ebook Download The Laws of Simplicity (Simplicity: Design, Technology, Business, Life)

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The Laws of Simplicity (Simplicity: Design, Technology, Business, Life)

The Laws of Simplicity (Simplicity: Design, Technology, Business, Life)


The Laws of Simplicity (Simplicity: Design, Technology, Business, Life)


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The Laws of Simplicity (Simplicity: Design, Technology, Business, Life)

From Publishers Weekly

In this breezy treatise, graphic designer and computer scientist Maeda proposes ten laws for simplifying complex systems in business and life-but mostly in product design. Maeda's upbeat explanations usefully break down the power of less-fewer features, fewer buttons and fewer distractions-while providing practical strategies for harnessing that power, such as SHE: "Shrink, Hide, and Embody." The first three laws, based on principles of reduction, organization and efficiency, form the foundation for increasingly complex and self-referential concepts like the importance of context and the potential for failure in simplification (by the end of the book, Maeda is chiding himself for using too many acronyms). Combined with trust and emotional engagement (laws 7 and 8), Maeda demonstrates how complex systems can become downright lovable: Maeda recalls "the Tamagocchi craze of the late 1990s... showed that anyone could fall in love with a small electronic keychain," drawing a corollary to the almighty iPod (an iconic example referred to throughout). Emphasizing the delicate balance-work involved in simplifying the complex, Maeda admits the process isn't easy, and that his ten laws don't necessarily provide all the answers-in numerous places, he directs readers to the web site where his theories continue to develop. Despite that, this slim book feels complete in itself; not only will it stimulate ideas, it will keep readers thumbing back for a second and third look at Maeda's deceptively simple advice. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

Abstract recommends this book particularly to marketing people, product designers and technical writers.―GetAbstractFINALLY, a book about simplicity that is not too academic to read.... At the book's heart is the Shinto belief in animism, the spirit in all objects. Nicholas Negroponte, one of Maeda's mentors, once told him to become a lightbulb, not a laser beam. This he has done; all this and more.―Susan Salter Reynolds, The LA TimesJohn Maeda's new book, The Laws of Simplicity, is simply terrific. It's exactly 100 pages, the illustrations are brilliant and the 10 Laws of Simplicity (plus Three Keys) are a canon to design one's entire life, much less specific products, services or business models. The subtitle is: Design, Technology, Business, Life.―Bruce Nussbaum, BusinessWeek's blog "NussbaumOnDesign"Keep it simple, Stupid' is an old piece of advice, so much so that it's often abbreviated as the 'KISS principle.' But it's advice that's often ignored, and MIT Professor John Maeda aims to change that.... Designers and marketers will find Maeda's book both interesting and useful....―New York PostMaeda's Laws and Keys have an obvious practical application in everyday running of a busy life (and desktop); they also have the potential to translate into a productive methodology for any craft or design practice.... A very humble, enlightened and caring human, John's written a little bible.―Liz Farrelly, Crafts MagazineMaeda's upbeat explanations usefully break down the power of less-fewer features, fewer buttons and fewer distractions-while providing practical strategies for harnessing that power.... Emphasizing the delicate balance-work involved in simplifying the complex, Maeda admits the process isn't easy, and that his ten laws don't necessarily provide all the answers-in numerous places, he directs readers to the web site where his theories continue to develop. Despite that, this slim book feels complete in itself; not only will it stimulate ideas, it will keep readers thumbing back for a second and third look at Maeda's deceptively simple advice.―Publishers WeeklyTechnology and life seem to be getting more complicated, yet two great success stories, Google and the iPod, both provide the antidote of simplicity. In The Laws of Simplicity, John Maeda uses humble prose to provide an accessible guide, business and life, observing the principle: 'Simplicity equals sanity.'―David Smith, The Observer

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Product details

Series: Simplicity: Design, Technology, Business, Life

Hardcover: 117 pages

Publisher: The MIT Press; Later prt. edition (August 21, 2006)

Language: English

ISBN-10: 0262134721

ISBN-13: 978-0262134729

Product Dimensions:

5.4 x 0.8 x 8 inches

Shipping Weight: 10.6 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

107 customer reviews

Amazon Best Sellers Rank:

#77,646 in Books (See Top 100 in Books)

This book is about this astonishing author! The author is a fantastic parent whose kid sends him all caps "I LOVE YOU" email, is an incredible teacher who teach the brightest of the world, yet still manage to remains amazingly humble (he says that he has at time learned from his students: can you can possibly believe that such as genius could ever learn anything?). The author does not lose an occasion to mention in passing that he met so-and-so celebrities. He enjoys expensive restaurant and the most expensive toys.What else do you need to know about the Great Author?Oh, what was the title of the book again? Oh yes, simplicity. The title of the chapters is just about the only interesting content there is in the book about the subject. All the rest of the books is trite and superficial and unwarranted self-agrandisment by an insecure author. Even his further reading list, shows how superficial the author is.The only ray of sunshine here is that I was able to return it for a full refund.Nevertheless, the impostor has succeeded in robbing me of precious time.

This book was okay as far as it went, which was not very far. The "laws" are adequate and valid - except for law #7, which I found incomprehensible. However, the commentary on the laws was light and superficial rather than deep and provocative. I wish he had discussed when simplicity amounts to a profound achievement and when it is simply simple. I wish he had gone beyond objects to also discuss language and ideas being simple or complex. I wish he had explored when simplicity pleases us and when it becomes rather useless and uninteresting. For example, poetry and advertising succeed most when they are simple on the surface but with many layers of meaning.

I expected quite a bit, based on the breathless reviews. As some of the other reviewers wrote, however, I found it to be meandering stream-of-consciousness stuff, without much by way of concrete conclusions. I found myself reading carefully to see whether I could extract a deeper underlying point to each of the chapters, then skimming a paragraph at a time, then flipping pages at an increasing rate... and finally setting it down, never to be picked up again. Twain is reputed to have written that he wrote a long book because he hadn't had time to write a short one; this one strikes me as a short book written because the author didn't even take the time to write the long one.

I agree the core messge : Make it simple!I remember Einstein as well : not more simpler, meaning do not sacrifice the core.I remind that it is required a smart effort to make sth simpler, but it is easy to make sth complex.It is a repetition with nice acronyms for me, not very productive experience of learning.

This book will serve UX professionals well as they design and research complex experiences that need simplifying. John’s prose is personable and inspiring, like a mentor talking to a mentee without sounding pedantic or standoffish. I plan on posting his laws of simplicity on my desk wall to remind myself of what we should all aspire to in design.

I had high hopes for this book, based on my enthusiasm for John and his other books. I guess I found the insights illuminating at times, and a bit thin or frustrating at others. It's also interesting to note that his examples in various cases might have been different had the iPhone been known of at the time (the interface, underlying complexity, cohesiveness of layers of data etc). I think it's a worthwhile read, and I'll probably go back through again to distill it better (NOT an example of simplicity!), but it's brevity just doesn't allow for a full realization of the concepts.

I found the laws themselves to be thought provoking; my mind immediately engaged the task of relating the laws to my own work. While the laws themselves are a delicious reduction the text itself is just the opposite. With such a dogmatic title strapped to a compact book I expected Maeda to directly confront on the topic of simplicity in a brief yet concrete manner (similar to how William Strunk hits the target dead on with The Elements of Style). Instead Maeda only lightly probes "simplicity" with lots of personal anecdotes, abstract thoughts and the iPod (for most examples). The book is more of a meditation on the topic than a "law" book.I highly recommend reviewing the laws at John Maeda's site: [...] and consider doing your own meditations. Read the book only if you're interested in viewing the cogs turning in the mind of Maeda without them producing the condensed sweetness you might expect in such a compact tome.(The hardcover book itself is nicely designed, printed and bound for those of you interested in good quality book and a favorable price.)

Rather than listing products to organize your laundry room, this lovely book treats simplicity as a philosophical inquiry. And it does not fall into the voluntary simplicity movement (although those who adhere to that will be enchanted). It's more a meditation using his brilliant background as an artist, engineer, student, and professor. The book is short and thoroughly inspirational. I highly recommend this delightful read.

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Minggu, 16 Januari 2011

Free Ebook Travels: Collected Writings, 1950-1993, by Paul Bowles

Free Ebook Travels: Collected Writings, 1950-1993, by Paul Bowles

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Travels: Collected Writings, 1950-1993, by Paul Bowles

Travels: Collected Writings, 1950-1993, by Paul Bowles


Travels: Collected Writings, 1950-1993, by Paul Bowles


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Travels: Collected Writings, 1950-1993, by Paul Bowles

Review

“Bowles [is] a writer of power and precision… [TRAVELS] reads like a fable and makes one want to follow in his footsteps.” (Boston Globe)

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From the Back Cover

Inmore than forty essays and articles that range from Paris to Ceylon, Thailand to Kenya, and, of course, Morocco, the great twen-tieth-century American writer encapsulates his long and full life, and sheds light on his brilliant fiction. Whether he’s recalling the cold-water artists’ flats of Paris’s Left Bank or the sun-worshipping eccentrics of Tangier, Paul Bowles imbues every piece with a deep intelligence and the acute perspective of his rich experience of the world. Woven throughout are photographs from the renowned author’s private archive, which place him, his wife, the writer Jane Bowles, and their many friends and compatriots in the landscapes his essays bring so vividly to life. With an introduction by Paul Theroux and a chronology by Daniel Halpern

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Product details

Paperback: 512 pages

Publisher: Ecco; Original edition (August 23, 2011)

Language: English

ISBN-10: 9780062067630

ISBN-13: 978-0062067630

ASIN: 006206763X

Product Dimensions:

5.5 x 1.3 x 8.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#260,078 in Books (See Top 100 in Books)

I can say that Paul Bowles is one of my favorite writers and now having read Travels: Collected Writings 1950-1993 (2010), I have finished reading all of his available writings. This collection is mostly made up of pieces that were, collected earlier in, Their Heads Are Green and Their Hands Are Blue (1963). I think if there were that many pieces in a collection by another writer I might have not bothered with the collection or skipped those pieces. But I decided to re-read them and savor the familiarity and evocative scenes described Bowles who has a gift of bringing the atmosphere of a place to life, for example the Sahara Desert in "Baptism of Solitude," as well as the people that populate those specific places, like in "Mustapha and his Friends." There are two excellent pieces about his travels into countryside and mountains of Morocco to record the traditional music there that is some of his best writing in "The Route to Tassemit" and "The Rif, to Music." In those pieces, in particular, he brings Morocco and the inhabitants to life. But he awakened an interest for me in his in his part-time home in Ceylon, that is the subject of "Fishtraps and Private Business." I plan to make a pilgrimage to his private island on my visit there next month. The book is arranged chronologically by editor Mark Ellingham and contains mostly travel pieces but also travel-oriented journals, introductions to photographic books, and even a glossary of kif terms for a 1960s books on cannabis. It includes an introduction by one of my favorite travel writers Paul Theroux as well. I suspect some of the material may have been cannibalized for Bowles' autobiography, Without Stopping, which I also recently read. The earliest pieces are from Bowles early days as a teenager in France-among the 30 uncollected writings spread throughout the book. There were a number of pieces from the now defunct Holiday magazine that were among my favorites as well: "How to Live on a Part-Time Island" (another piece that inspired me to visit Ceylon), "Madeira" (on the isolat4ed Portuguese island), "Window on the Past" (about Spain), as well as several pieces on Morocco and cities in Morocco. I was impressed with pieces about travel in Istanbul ("A Man Must Not Be Very Moslem"), India ("Notes Mailed at Nagercoil), the Mau Mau uprising in Kenya ("Letter from Kenya") as well as a piece about the civil war in neighboring Algeria ("Sad for U.S., Sad for Algeria"). I think the following quote from "Windows on the Past" sums up Bowles' perspective on travel writing: If I am faced with the decision of choosing between visiting a circus and a cathedral, a cafe and a public monument, or a fiesta and a museum, I'm afraid I shall normally take the circus, the cafe, and the fiesta, trusting to luck that I shall manage to see the other s later. I supposed I'm not what today is called culture-minded. Perhaps the that is because the culture of a land at any given moment is the people who live in it and the lives they lead in it, not the possessions they have inherited from those who came before. They may or may not profit by their legacy. If they do, so much the better for them; but whether they do or do not, their culture is represented by them and not by their history.I feel a sort of kinship with Bowles and hope to see as much as he has seen. I can't help but note that he did it so much earlier than others and had to struggle and suffer in order to do so. Bowles was not a fan of progress and I suspect most travel today would have been too tame for his type of adventure lust-very much a trailblazer and original thinker.

"Travels," the collected writings of Paul Bowles' is my first exposure to his writing. I purchased this book as a result of reading Jeff Greenwald's "The Size of the World," where Greenwald is received by Bowles in his home in Tangier and, in their ensuing dialogue, began to take measure of the man. I found it fascinating that Bowles chose to live within a culture where the seeking of solitude is considered an aberrant behavior, a behavior Bowles strongly insisted upon but never verbalized until Greenwald put the reason into print: Bowles has never been able to sleep in the same room with another person..."it's something I could never do, never in my whole life." My objective, when reading a book on travel, is to experience the land, the people, the culture in its fullest dimension through the lens of someone from my own culture. To that end, Bowles delivers. His philosophy on what makes a travel book "is the story of what happened to one person in a particular place" and where "the personality of the author is the decisive element." His accounts are at once poetic, politically astute, and incorporates the dialogue and cultural habits of the inhabitants while directing the reader to conclusions that conform to his informative opinion. While some readers argue that the repetitiveness of this book of collective writings is its downfall, I found the repetitiveness helpful in that it replayed the images of earlier chapters, images I hope to see for myself since Morocco is on my bucket list.

Wonderful to have his many travel essays gathered from various sources and arranged chronologically. That unique blend of romance and reality that distinguishes Bowles from so many other travel writers is still refreshing after all these years. He was the last of a generation, and this collection allows us to follow him back over the course of an amazing life.

Great travel writer, without trying to be one. His prose and character descriptions are flawless. I read it quickly and became addicted to his writing.

And Bowles’s pieces on Morocco over many years gave me a Morocco in prose that I truly appreciated. Enjoyed his insight on music in particular.

A riveting writer in the Beat era. He writes of travel adventures from Sri Lanka to Kenya to Morocco. Inspired me to view the nineties film from his novel set in Morocco, The Sheltering Sky.

Terric travel writing. Wonderfully observant and imaginative.

If you have ever yearned to read another great Paul Bowles book but knew it was not to be, than I recommend you go on a travel with him to the most exotic parts of our world. Through the eyes and sensibilities of Mr. Bowles I felt the stirrings of danger in Morocco, Ceylon and even So. America. As an American Paul Bowles traveled extensively to learn about himself and put it on the page for us all to experience. Please don't miss this one.

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